Hintlord Series #4: Character building 101
Your Hintlord returns! I’ve had a request from a reader who asked about characters and how to build original ones! Here’s her note:
I'd love to hear if and how you manage to create characters who not merely represent a part of who you are or would like to be. I really struggle with creating someone new who is independent from who I am.
This is a great question and I am AWARE there are many schools of thought on this. Even some from my own alma mater that may differ from what you read here. But what you have to understand is: I̶'̶m̶ ̶s̶m̶a̶r̶t̶e̶r̶ ̶t̶h̶a̶n̶ ̶t̶h̶e̶m̶ I do things differently and they’ve worked out for me so far. :)
For example, some may say that good characters inform the plot; their choices direct the plot and therefore the character’s personalities come first. That’s all well and good in theory but sometimes it doesn’t work out. What if you’ve started your story with a couch potato character who sees something going on out of the corner of his eye but Maury’s on and he doesn’t wanna go check it out? That’s the end of your story unless your “something” comes barreling into Couch Potato’s living room. But that is a conscious choice of the author, so don’t give me that spiel about characters being voodooish and moving around on their own. That comes later.
So, instead, try out this lesson from the School of Robyn: try thinking about your story first. What does the story require?
I’ll be the first one to call myself out on this — my stories often require a blushing, rather submissive twink to be anxiously receptive to another guy’s advances. So I build one. Now, for the reader’s question. How to do this without your character being you/someone you want to be? Well, first of all, don’t make them look like you and there’s a world of separation there to begin with. Second, there’s a difference between who you ARE and what you KNOW. Just because something is in your wheelhouse — for example, characters I have that are into poetry/drawing/yoga — doesn’t mean the character is exactly like you. You use this to add spice, not meat.
In terms of “who you want to be”, hopefully you don’t want to be a shitty person, so you can make the character a shitty person! Trust me, this is always fun. And shitty people are good for a story because they inherently bring conflict with them. They pump in new blood.
(There’s seemingly this stigma against “negative character development” in this new day and age, which is just stupid. There’s nothing wrong with a character deteriorating over the course of the story, becoming less and less someone you’d feel comfortable meeting at night in a parking lot. But that’s a rant for another day.)
So let’s do it how I do it: first, we start with the story. The story always comes first. What do I need to make this idea in my head pop off? Well, let’s use my last published story Impossibly Tender as fodder. The story idea was: man kidnaps kid. That’s pretty basic, huh? To embellish it, I needed a flourishing, multi-layered character to pull that kind of thing off. He would need to be well-liked at least locally (so: teacher), deemed non-threatening to law enforcement (read: white), and he’d also need to be the kind of person who’d do something like that (unhinged) and also have an internal reasoning so that it seems reasonable in both his head and the reader’s, for a time (his own moral compass). And, why would he do this? (Past transgressions.)
When we use the story to build the characters, you’ll be hard-pressed to build one that’s like you.
Now: for all you voodoo purists out there, that’s not to say that building characters this way ensures they never do their own fantastical things and make choices on their own that informs the story in turn. Of COURSE they do. But they can only stand on their own feet if you give them bones and tendons and muscles. It’s not magic, it’s storytelling.
[Would you like a writing hint from the Hintlord? Just send in a request here!]
