Let's Get Writing Again.

Welcome to October! Welcome to autumn! Ring in the new season! Ding ding, bitches!

My new computer!

Revision Month went off without a hitch so let’s give a big round of applause for ME, who went so hard I pinched a nerve in my back and was completely out of commission for the first 3 days of October. Literally, I finished that revision on Sept 30th and my body said, “I’m out,” and left me a broken shell of a person. I’m on the mend now.

My gifts to myself for finishing my Revision Month:

• a deep tissue massage at my favorite spa

• a new computer rig with gamer keyboard and mouse and camera

• a fall refresher for my wardrobe

So besides my back going the way of the dinosaur, I’m pretty content. As we leave the revised manuscript and wait for my agent to read it, what do we do in the meantime? Well, get ready for Nano, of course… for those of you who don’t know, Nano is short for Nanowrimo which is short for National Novel Writing Month which is an event in November where you write 50k words of a novel in 30 days. It’s fun, it’s stressful, I’ve completed it 3 times! This upcoming one will be my 4th.

To prepare for such an undertaking, I usually take all of October to plan something out.

What do I need to plan? Lots of things. Let’s list them:

• a fresh notebook

• music relative to my upcoming project

• specialty coffee

• a comfortable writing environment (hence me setting up my new space)

I have all these things! The key to planning a whole new novel in a month is just to really relax into it. I don’t write while I’m planning; in fact, I give my poor abused fingers a break. I don’t put much pressure on myself to actively have an idea. Instead I put myself in situations where I’m not thinking about anything too hard. The ideas come racing out of the ether and smack you right in the head.

For example, last night I was just sitting around like a bump on a pickle with my fresh notebook nearby and jotted down nearly a whole page of plot happenings along with some things about my main character. In this stage, what comes comes. I don’t talk much about the plot or the summary of it at this point, to anyone. It’s like bad luck almost, like telling someone you’re pregnant before the first trimester has ended. I keep it to myself and don’t feel any pressure to stick to one idea just because I’ve said it aloud.

As we get closer to November, I’ll post more tips and tricks on planning! Keep in mind that I am a planner, and there exist people in the world who like to go into November with no plan whatsoever and just write whatever comes to mind.

I don’t advise this for a myriad of reasons: accelerating into a wall, incoherency, it’s particularly stressful, etc…

But hey, do whatever the fuck you wanna do. :D

Creating Space

So I’m in the middle of revisions for my last completed MS and I had to not only rethink elements of the story but elements of how I’m creating the story. I needed a soft, welcoming place to put myself through the ringer again. And what with the timeliness of my favorite season’s arrival….

My side of our home office.

Revamping my office space! Pumpkin and book-scented candles, soft lighting, new chair, new atmosphere. I figured to change the work, you change the workspace.

It’s hard to think about changing something from the inside out, really. Revision has always been an unwieldy word for me because the scope of it can be so large. But I’m no stranger to it. We did it all the time back in MFA land, back when profs told you there was nothing to salvage but the characters’ names. (Ugh.) You get through it.

My agent gave me tons of extremely helpful line notes in the doc itself and also a long write-up. From there, I went into my notebook and wrote out in bullet points the main changes suggested, and then wrote a side of it that were the main changes I wanted to make. Then, I circled everything that needed to change for it to work.

The hard part about getting revision notes from anyone — whether they’re your agent, editor, critique buddy, prof — is that you’re not always going to agree. You, as the creator, have to examine why you don’t agree.

Is it because you really think it’s fine?

Is it because you’re being lazy?

Or is it pride?

And it’s a new ask every time you look at a problem. At some point, the revision verges, carving its own path. You can think of it a lot like building a person; the first time you built that person, when they rose from the workbench, and you told them to walk, they almost fell down because their legs weren’t strong enough to carry them — low muscle mass, or the heart isn’t pumping enough blood. In this case, for this MS, the limbs seem to all work, and the face is cute, but there’s a real problem in the heart.

The heart of the story changes a lot. If you go in and fiddle with the heart, you’re also fiddling with arteries and blood flow. So many new things pop up. The great part is this is more about building than tearing down, so it is in scope easier than if I had to, say, cut 20,000 words. (Always low-ball the first time around.)

I find myself playing Can You? daily, too, which tells me I’m going in the right direction. What also makes me smile is seeing the story get better in front of my very eyes. A second go-around gives you a chance to embolden characters and let them go off and do things they may have been too scared to do the first time, or you were too scared to let them do.

There’s a fine line — for the changes you know the story needs but may not actually be fun to do. The challenge then becomes: you need to make them fun to do. You’ve almost got to. If you aren’t having fun writing it, no one is having fun reading it. Slog for you is slog for everyone.

There are a few things I hold back on, because I know I’m right about them. It’s certainly possible I didn’t express them correctly, and it’s also my duty to say them more clearly. But when I heard those words the first time, I knew they were true by the way they felt.

Wish me luck! We are 100 pages in and counting.