Robyn Ritchie

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100 Pages

There’s a couple milestones for me when I’m on a new project.

  1. 50 pages - a testing of the waters. Does this idea suck giant monkey dick? Well, you’ll know it within fifty pages, trust me. Some things just won’t be able to be smoothed out or over and if things don’t work out, best to cut the losses. But if I do make it here and feel strongly or stronger, that’s a good sign to keep going. Around this spot is when the world of the story starts opening up, I can see my way forward and realize some things I did wrong in the beginning.

  2. 100 pages - woo! A real save point if there is one. Now I’m really into it and trying desperately to keep momentum going. If I were to stop here, for any amount of time, it would probably go downhill like if I stopped rolling a boulder up a mountain and tried to take a breather. Just got to push.

Right now I’m on that second milestone. My new project is breathing steadily and I’m working everyday with a minimum word count of 2k. See, here’s the thing.

I was talking to a budding young writer yesterday and she asked me how I draft, as she was having trouble managing drafting one chap at a time. I don’t know how they do it elsewhere and, to be honest, I don’t care. Don’t edit chapter by chapter, you’ll be driven insane. It sounds like a lot of work.

As I told her, I write out the whole first draft, ugly bumps and plot holes and all and I really don’t care how bad it is. Everything comes out in the wash. The first big edit, I start from the top and smooth out plot holes, missing scenes, all the big stuff. When that’s done, the third paving is for texture and smaller faux pas. When I say how many times I tend to go over things, it sounds like a lot of work but it’s waaaay less work than attacking it piecemeal.

The best part about considering the manuscript in save points and drafts is that it’s like standing at the summit, surveying the mountain trail you just climbed. There’s a clarity about it. Next save point is at 150 pages. See you there.